Martin Klett - Preludes I / Mikrokosmos IClaude Debussy is often labeled as a musical Impressionist. It is misleading to do so, however, since Debussy was not truly associated with the visual artists who belonged to that current. Instead, he viewed himself as an adept of Symbolism, as one can tell from his choice of texts for musical settings and from his opera Pellas et Mlisande; he eventually turned against the association of music with imagery. In his two volumes of Prludes, the subjects

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The aspect of magic in sound is not only prominent in Debussy's cycle of préludes

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it constitutes a particularly significant chapter in his overall output: composed in Rome during the early 1670s

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