Beyond PhotographyOne of the first things one notices about Lee's prints is their sizethey are unusually large. Lee uses Liquid Light a liquid gelatin silver emulsion to cover large sheets of handmade Korean rice paper onto which she enlarges her negatives. The results are stunning. The images are obviously photographic but the combination of print size and paper texture gives the work a presence rarely found in photographs. Of particular note are her Pagodas pieces.

Rozovsky’s colour photographs capture the interplay between city and nature

a time of intense joy and unfathomable grief

Between restlessness and lightness

demolished

This is a moment of quiet solace before—as if by magical transportation—we end up on the Thames estuary looking out to sea in the manner of Conrad’s hero Marlow

It is likely that many of the photographs in the collection were taken by her

includes all forty-one exhibited photographs alongside a critical essay by curator Urs Stahel

and yet in looking at them I become once again the young photographer who took them on a hot summer day

practical (and some impractical) advice

Jacques-Henri Lartigue was fascinated by new inventions such as the automobile and telecommunications

giving us meticulous documentation of spoons

with metaphors and similes